Pentax K10D, SMC PENTAX-DA f/3.5-5.6 18-55mm AL @ 55mm + SMC-A 50mm f/1.7 (reversed), ISO 100, f/5.6, 1/100 sec, +0.7 EV, IS on
Another of my DIY super macro shots this time processed in Lightroom using the Direct Positive preset. I had to get so close to the bumble bee that I couldn’t use the view finder. I just stuck the camera down in the flowers and started shooting. This was one of the two or three shots out of 20 or so that sort of turned out.
Pentax K10D, Pentax SMC-A 50mm f/1.7 (manual focus), ISO 100, f/1.7, 1/800 sec, +0.7 EV, IS on
While my wife was doing a little shopping I wondered around 18th street in Homewood, AL and took a few photos. I used to work at the bike shop right down the street from here.
Pentax K10D, Pentax SMC-A 50mm f/1.7 (manual focus), ISO 100, f/1.7, 1/100 sec, +0.7 EV, IS on
Pentax K10D, Pentax SMC-A 50mm f/1.7 (manual focus), ISO 100, f/8, 30 sec, +/-0 EV, IS off
Taken in an alley behind an apartment building on Historic Highland Avenue in Birmingham, AL. I was drawn to the combination of lighting (sodium vapor and mercury vapor), the texture of the brick and the arrangement of the trash cans. This photo was taken with my Pentax K10D and my old manual focus 50mm f/1.7 lens on a Joby Gorillapod. I set the camera to manual mode, selected ISO 100 (for minimum noise), Auto white balance, 30 second shutter (maximum shutter time in manual mode), f/8 aperture (for maximum sharpness), and set the self timer to the 2 second delay position (to eliminate camera shake when the shutter opens). I manually set the focus at infinity and didn’t bother checking the light meter reading. Since I shoot these shots with the long exposure noise reduction turned off, I was able to review the shot immediately and saw that it was good on the first try. The alley was a lot darker and creepier than this photo suggests so after one shot I grabbed up my camera and kept moving… More »
Pentax K10D, SMC PENTAX-DA f/3.5-5.6 18-55mm AL @ 55mm + SMC-A 50mm f/1.7 (reversed), ISO 800, f/8, 1/30 sec, +0.7 EV, IS on
This tulip was shot hand-held with a DIY super macro set-up. Lighting was via a nearby window:
The title of the photo comes from a portion of a poem by Algernon Charles Swinburne called Atalanta in Calydon:
For winter’s rains and ruins are over,
And all the season of snows and sins;
The days dividing lover and lover,
The light that loses, the night that wins;
And time remembered is grief forgotten,
And frosts are slain and flowers begotten,
And in green underwood and cover
Blossom by blossom the spring begins.
