booleansplit.com

photos, tips, tricks, and thoughts from an avid amateur photographer

 
 
 
 

Posts tagged Adobe Lightroom

bridge

bridge

Pentax K10D, Pentax SMC-A 50mm f/1.7 (manual focus), ISO 640, f/1.7, 1/100 sec, +/- 0 EV, IS on

Another from my brother-in-law’s house in Wetumpka, AL. They live in a 100+ year old cottage with wood plank walls and tall windows. This antique violin is hanging on the wall in their dining room next to a window draped in sheer white curtains. I shot this up and at an angle to maximize the short depth of field and get a nice mix of the warm brown and rich cool blue in the frame. Processed in Adobe Lightroom with my default develop settings for my Pentax K10D.

Here’s a wide shot of the wall in question:
My hope is to someday be hung on a wall and admired.

room at the bar

room at the bar
Pentax K10D, Pentax SMC-A 50mm f/1.7 (manual focus), ISO 800, f/1.7, 1/13 sec, +0.7 EV, IS on (hand held)

Bouchon, The Venetian, Las Vegas, NV

I have to say, this shot would not have been possible without my Pentax K10D’s in-camera shake reduction. I mean, they didn’t have IS 20 years ago when this lens was made ;-)

(f)light reading

(f)light reading

Pentax K10D, Pentax-A SMC 50mm f/1.7 (manual focus), ISO 640 (auto), f/1.7, 1/100 sec, +/-0 EV, IS: ON (converted to b/w and toned in Adobe Lightroom)

Snapped on my way back from Milwaukee Friday. I’m going to start posting more of my Flickr photos here in an effort to make it easier for those of you who follow my blog to follow my pictures as well. I’m planning on posting the large version of my photos but would appreciate feedback on that decision. Please feel free to post any questions about my photos in the comments here or on Flickr (photo links back to Flickr page).

Blue Hour made simple

Magic City sunset

I’ve already blogged here once about taking sunset photos but after taking this blue hour shot tonight I just had to share how easy this is.

I had to run downtown around 6pm to pick up some fresh oysters from the Fish Market. On the way out the door I grabbed my Pentax K10D, 16-50 f/2.8 DA* (borrowed) and tripod. I made a bee line down 21st Street South (past the Fish Market) to the viaduct that goes over the railroad tracks into downtown. From this elevated vantage point over the tracks I knew I would have a decent view west with enough streetlights for some killer starburst action.

Here’s the set-up for this shot:

  • camera mode: MANUAL (you can’t do this in AUTO!)
  • aperture: f/22
  • shutter speed: 30 seconds
  • ISO: 100*
  • white balance: AUTO
  • flash: OFF (!!)
  • IS: OFF
  • auto focus: OFF (manually set focus to ∞)
  • self timer: ON (2 second delay)
  • focal length: widest setting (here: 16mm)
  • battery: fully charged (!)

*Nikon users with ISO 200 as the lowest setting may have to back off the shutter to 15-20 seconds.

That’s it. Mount the camera on a tripod, compose the shot, trip the shutter (using the self timer prevents camera shake), step back, and wait. If you time the light right that’s all you’ll ever have to do. The small aperture ensures everything is in focus and creates dazzling starbursts. The long exposure pulls in all kinds of light and colors and the low ISO keeps things s-m-o-o-t-h. I did shoot this photo in RAW but all I did in Lightroom to this shot is apply my standard import settings and touch up a little sensor dust.

Truthfully, I rarely look at the exposure meeter for these shots. I usually just take a 30 second f/22 shot at ISO 100 and check the LCD. If it’s too dark I’ve probably missed the magic blue hour and it’s either time to pack it up or break out the DIY bulb switch (though I usually try a few in vain at f/16 and f/8 just to be sure). If the shot is too bright I’ll just back off the shutter to 15 seconds and try again. If that doesn’t work I just wait a bit until the light drops off some more. The only real hard part is getting the timing right (most people are packing up to leave about the time I’m setting up for my best shots) and being patient (30 second exposures can seem like an eternity sometimes).

It’s really one of the few never-fail shots if you use these settings. Trick is you pretty much have to use all of these settings to get decent results. Break out the tripod and give it a try tomorrow night!

Here are a few more examples on my Flickr stream if you’re interested.

chip mill photos

chip mill

Here’s the above image without processing in Lightroom:

chip mill unprocessed

As you can see it was a grey and dreary day. I tried to manage the exposure to make sure I kept some cloud detail in the highlights of this photo. However, this meant the foreground was a bit dark. It got even darker when I pulled back the Exposure to -1 to really get the sky to pop. So, I dialed in a big handful of Fill Light and a touch of Recovery. Finally, I tweaked the individual color Luminance sliders to get the blue sky and the yellow crane to really pop. I applied similar settings to the rest of the photos I took with varying results:

imgp7705

imgp7699

imgp7700

imgp7702

Unfortunately there was a locked fence around the facility which greatly limited my composition options. I’ll have to try again sometime when there is better light.

no plastic

About

I'm an industrial designer and an avid hobbyist photographer. People are always asking me "how'd you do that?" So, I decided to create this site as a place to share my experiences and insights about photography, the gear and what it all means to me. I'm not sure if this site will make anyone besides myself a better photographer but I figure it's worth a try. Take a look around and let me know what you think. Thanks for stopping by!

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